Opening a Virtual Space before the Door of the Law: The Transnational Togani Effect from Silenced to Angels Wear White

Abstract

Abstract Through an examination of what the author calls the transnational Togani effect, which challenges legislative failures across both screens and borders, the author hopes to show how social justice films are deployed as a mode of critique that directly impacts the criminal justice system. The author's analysis of the transnational Togani effect therefore encompasses and connects the dimensions of virtuality and actuality in their interactive relation in the contemporary media environment. The author situates this interactive relationship between the virtual and the actual within a transnational framework because awareness of sexual assault is raised in cross-border contexts that are intertextual and interconnected. Drawing on the Deleuzian notion of the virtual and the actual and Giorgio Agamben's concept of inclusive exclusion, the author suggests that screen intervention is a virtual layer added to heterotopic space that serves as a possible resistance against the entrapment of human subjects by neoliberal governance, in which the law is “in force without significance.” As Deleuze shows, the virtual and the actual are fully real, and the relationship between them takes the form of a circuit. By exploring how the interlocking of virtuality and actuality comes to bear on the legal sphere, this article poses fundamental questions for cinema, or for audiovisual media in general, such as to what extent cinematic critique is capable of opening an alternative space for social justice.