Mix Tape Memories and Fictions

Author:

Abstract

This chapter considers indie rock culture's ritualization of mix taping. It argues that the indie mix tape tapped into an emerging understanding of popular music as a communicative resource whose creators made their feelings available to be deployed on listeners' behalf. In contrast to use of the term mixtape within hip-hop for DJ-created works of turntable artistry, creators and consumers of indie music constructed the mix tape as a gift that symbolically rescued music from the profane world of commodities. The mix tape's routines of announcing one's music tastes as a bid for connection outlived its heyday, as online vendors continued to deploy it as a metaphor to ground the daunting flow of digital music.

Publisher

Duke University Press

Reference501 articles.

1. Abebe, Nitsuh. “Twee as Fuck: The Story of Indie Pop.” Pitchfork, October24, 2005. https://pitchfork.com/features/article/6176-twee-as-fuck/.

2. Adams, Owen. “Label of Love: ROIR.” Guardian, November4, 2009. https://www.theguardian.com/music/2009/nov/04/label-love-roir.

3. Hitch Your Mike to a Portable;Adamson;Magnetic Film and Tape Recording,1954

同舟云学术

1.学者识别学者识别

2.学术分析学术分析

3.人才评估人才评估

"同舟云学术"是以全球学者为主线,采集、加工和组织学术论文而形成的新型学术文献查询和分析系统,可以对全球学者进行文献检索和人才价值评估。用户可以通过关注某些学科领域的顶尖人物而持续追踪该领域的学科进展和研究前沿。经过近期的数据扩容,当前同舟云学术共收录了国内外主流学术期刊6万余种,收集的期刊论文及会议论文总量共计约1.5亿篇,并以每天添加12000余篇中外论文的速度递增。我们也可以为用户提供个性化、定制化的学者数据。欢迎来电咨询!咨询电话:010-8811{复制后删除}0370

www.globalauthorid.com

TOP

Copyright © 2019-2024 北京同舟云网络信息技术有限公司
京公网安备11010802033243号  京ICP备18003416号-3