A New Theory of Chromaticism from the Late Sixteenth to the Early Eighteenth Century-Reference-Cited by-同舟云学术

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A New Theory of Chromaticism from the Late Sixteenth to the Early Eighteenth Century

Published:2009-09-01 Issue:2 Volume:53 Page:255-304
ISSN:0022-2909
Container-title:Journal of Music Theory
language:en
Short-container-title:Journal of Music Theory

Author:

Adams K.

Publisher

Duke University Press

Subject

Music

Cited by 5 articles. 订阅此论文施引文献订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献

1. Hexachordal Solmization and Syllable-Invariant Counterpoint in the Vocal Music of William Byrd;Music Theory Spectrum;2023-07-17

2. An Intervallic Approach to Sixteenth-Century Chromaticism;Journal of Music Theory;2021-10-01

3. Evolution of Tonal Organization in Music Optimizes Neural Mechanisms in Symbolic Encoding of Perceptual Reality. Part-2: Ancient to Seventeenth Century;Frontiers in Psychology;2016-03-30

4. Towards modal coherence: mode and chromaticism in Carlo Gesualdo’s two settings of O vos omnes;Early Music;2015-01-29

5. Hearing Counterpoint Within Chromaticism: Analyzing Harmonic Relationships in Lassus’sProphetiae Sibyllarum;Music Theory Online;2012-12

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