1. Preface to Close Listening: Poetry and the Performed Word;Bernstein,1998
2. Distant Listening or Playing Visualisations Pleasantly with the Eyes and Ears;Clement;Digital Studies/Le champ numérique,2013
3. Clement
Tanya E.
2017. “Introducing the HiPSTAS Audio Toolkit Workflow: Audio Labeling.” High-Performance Sound Technologies for Access and Scholarship (website). https://hipstas.org/2017/08/31/introducing-the-hipstas-audio-toolkit-workflow-audio-labeling/ (last updated August 31, 2017).
4. Clement
Tanya E.
, and McLaughlinStephen. 2015. “Visualizing Applause in the PennSound Archive.” Jacket2, October18. https://jacket2.org/commentary/clement-mclaughlin-pennsound-applause.
5. No Medium