Abstract
Abstract
In the West, the 1970s were the decade of rapid sexual liberalization. Similarly, in state-socialist Poland new approaches toward sex and nudity also gained momentum. Female nudes started being printed in the popular press and displayed in gallery rooms. Simultaneously, early feminist artists such as Natalia LL, Teresa Murak, and Ewa Partum experimented with nudity to question gendered discourses and social norms. This article compares popular nude photography exhibitions with the works of women artists to analyze two approaches toward female nudity that developed in 1970s Poland. Thus, it showcases the ambiguities surrounding the project of socialist sexual modernity and highlights conflicting visions of femininity and liberation.