Abstract
A common assumption in Western legal cultures is that judicial law-making is
materialised in practices that resemble the operation of a professional
bureaucracy, practices that are also central to the construction of knowledge in
other systems, such as accounting, audit, science, and even ethnography
(Dauber 1995; Strathern 2000; Riles 2000, 2004, 2006; Maurer 2002; Yngvesson
and Coutin 2006). This argument situates the judiciary as a formalistic
organization that builds its ambition of universality on the procurement and
dissemination of knowledge on a rational basis. Drawing on ethnographic
research in the Argentine Supreme Court, this paper seeks to unpack this
assumption through a detailed look at how the figures of legal bureaucrats, in
particular law clerks, become visible through the documentary practices they
perform within the judicial apparatus. As these practices unfold, they render
visible these subjects in different forms, though not always accessible to
outsiders. Persons are displayed through a bureaucratic circuit of files that
simultaneously furthers and denies human agency while reinforcing the division
of labour within the institution. This dynamic, I argue, can be understood in
light of Marilyn Strathern’s (1988) insights about the forms of objectification
and personification that operate in two “ethnographically conceived” social
domains (Pottage 2001:113): a Euro-American commodity-driven economy,
and Melanesia’s economy based on gift-exchange.
Cited by
17 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献