Affiliation:
1. University of Liège benoit.crucifix@ulg.ac.be
Abstract
This article returns to the origins of the case mémorable in the pages of Les
Cahiers de la bande dessinée and revisits the debates between Pierre Sterckx
and Benoît Peeters over the relationship between single panels and narrative,
which were articulated around a conceptual tension between linear
and tabular. It proposes that the concept of the ‘memorable panel’ pinpoints
important issues concerning the recirculation of single images, isolated
from their contexts, and the discourse of memory that becomes associated
with them. A close reading of Olivier Josso Hamel’s Au travail, in which
the cartoonist redraws his own set of memorable panels, further calls for
a reconsideration of Sterckx’s concept in the light of a creative practice that
intimately engages with the memory of such panels in a complex relationship
to their original narratives.
Cited by
2 articles.
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