Affiliation:
1. University of Catania, Italy
2. Arcadia University, USA
Abstract
An important feature of the Minoan culture is the pottery of Kamares style, that documents the Cretan cultural production between the first half of the 2nd millennium BC. This high level painted production, characterized by the combination of several diverse motifs, presents an enormous decorative repertoire. The extraordinary variety of combinations between elementary motifs according to a complex visual syntax makes interesting the automatic identification of the motifs, particularly upon potsherds. A complete pipeline to accomplish this task is still a challenge to Computer Vision and Pattern Recognition. Starting from a digital image ROI identification, motif extraction, robust contour detection should be performed to obtain a bag of digital shapes. In a second phase each of the extracted shapes has to be classified according to prototypes in a database produced by an expert. The co-occurrence of the different shapes in a specimen will, in turn, be used to help the archaeologists in the cultural and even chronological setting.
Reference38 articles.
1. Some informational aspects of visual perception.
2. Belongie, S., Malik, J., & Puzicha, J. (2002). Shape Matching and Object Recognition Using Shape Contexts. IEEE Transactions on Pattern Analysis and Machine Intelligence, 24, 509-522. doi:http://doi.ieeecomputersociety.org/10.1109/34.993558
3. Human image understanding: Recent research and a theory
4. Landmark methods for forms without landmarks: morphometrics of group differences in outline shape
5. Carinci, F. (1997). Pottery workshops at Phaestos and Haghia Triada in the protopalatial period, in Aegaeum (Vol. 16). Center of Cretan Archaeology. (S.d.). Center of Cretan Archaeology. Retrieved July 31, 2010 from http://www.cac.unit.it