The Mirror Effect and the Transparent City in Audio-Visual Non-Dramatic Fiction

Author:

Gordillo Inmaculada1

Affiliation:

1. University of Seville, Spain

Abstract

In the past, there was always a clear delineation between fiction and the news or fiction and documentary film. Today, however, elements of crossover and hybridization it can be observed in most formats: reality and fiction, public and private, are intermingled. Life itself seeps into fictional accounts, approaching the eternal comedy. Digital formats permit the multiplication of stories and the democratisation of productions. They create a true amalgam of new and old hybrid products, such that comedy also infuses the non-fiction content. Social change is convincingly reflected in the stories that each collective elaborates and consumes. Today, without question, audiovisual stories offer a clear, in-depth analysis of all the social transformations in which we currently find ourselves immersed, therefore this chapter offers an exploration of the novel formats that are extended into the stories that are told on television and on the internet.

Publisher

IGI Global

Reference18 articles.

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2. La autoficción en los estudios hispánicos: perspectiva s actuales

3. Gil, J. (2017). La autoficción en la series de televisión. Parafernalia. Retrieved from https://www.revistaparafernalia.es/autoficcion-series-television/

4. Gómez, I. (2018). Problemas y derivas de la autoficción en pantalla. El Cuaderno. Cuaderno digital de cultura, enero. Retrieved from https://elcuadernodigital.com/2018/01/13/problemas-y-derivas-de-la-autoficcion-en-pantalla/

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