Reimagining the Audience-Dancer Relationship Through Mobile Augmented Reality

Author:

Pennefather Patrick1ORCID,Krebs Claudia1,Saroyan Julie-Anne2

Affiliation:

1. University of British Columbia, Canada

2. Small Stage, Canada

Abstract

The research and development of an augmented reality (AR) application for Vancouver-based dance company Small Stage challenged a team of students at a graduate digital media program to understand how AR might reinvent the audience-dancer relationship. This chapter will chronicle the AR and choreographic development process that occurred simultaneously. Based on the documentation of that process, a number of insights emerged that dance creators and AR developers may find useful when developing an AR experience as counterpart to a live dance production. These include (1) understanding the role of technology to support or disrupt the traditional use of a proscenium-based stage, (2) describing how AR can be used to augment an audience's experience of dance, (3) integrating a motion capture pipeline to accelerate AR development to support the before and after experience of a public dance production.

Publisher

IGI Global

Reference35 articles.

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3. Mixed reality immersive design

4. Gardien du Temple: An Interactive Installation Involving Poetry, Performance and Spatial Augmented Reality

5. Brockhoeft, T., Petuch, J., Bach, J., Djerekarov, E., Ackerman, M., & Tyson, G. (2016). Interactive augmented reality for dance. In Proceedings of the Seventh International Conference on Computational Creativity (pp. 396-403). Academic Press.

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