Style as Identity Politics in China

Author:

Liu Zhaoxi1

Affiliation:

1. Trinity University, USA

Abstract

Cui Jian is the most famous Chinese rocker. GAI won the championship in China's very first rapping competition, “The Rap of China.” This chapter examines the styles of both stars to explore how they use unique styles to express and negotiate their identity within China's broader political context. Cui Jian's endorsement of the socialist idealism and hence the legitimacy of the Chinese Communist Party (CCP) gives him some leeway in advocating for independent expression. GAI's gangsta swagger, on the other hand, was deemed subversive by the authorities and he was banned. Cui was able to maintain his style while GAI was forced to change. The chapter argues that musicians' styles mark their identity, which is in constant negotiation with the broader political environment. In China, it's about whether the musician's identity is compatible with the ruling party's hegemony. Cui and GAI provide two cases demonstrating how Chinese musicians negotiate their identity politics within the broader power structure.

Publisher

IGI Global

Reference62 articles.

1. A Conversation between Cui Jian and Dou Wentao at the April 15, 2022 Concert. (2022). Retrieved October 21, 2022, from https://www.youtube.com/watch?v=3bn7fqGiWvk

2. Agence France-Presse. (2018, February 8). “Gotta find a way”: Chinese rap in crisis after crackdown. Author.

3. “Do you freestyle?”: The roots of censorship in Chinese hip-hop.;N.Amar;China Perspectives,2018

4. An, D. (2018, January 19). SAPPRFT requests TV shows not to use artists wiht low taste, tattoo and hip hop culture [总局提出节目嘉宾标准:格调低纹身嘻哈文化不用]. Retrieved January 24, 2019, from sina.com website: http://ent.sina.com.cn/tv/zy/2018-01-19/doc-ifyquptv7935320.shtml

5. Arts China. (2010). Cui Jian. Retrieved on June 24, 2019 from https://www.youtube.com/watch?v=3JUkIldN35o

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