Writing in Times of Crisis

Abstract

This chapter focuses on a memoir and a film that narrate the experiences of Kurdish writer Behrouz Boochani in an Australian refugee camp in Papua New Guinea in order to show how genres organically develop out of human engagement with social and historical circumstances. The author discusses the novel and the film as examples of how writers' interactions with the world impose rhetorical orientations and nurture genre formation. This chapter illustrates that, as opposed to the dominant view of rhetoric as a means of persuasion, the essence of rhetoric and genre formation is engagement with what the author calls “phenomenological autoethnography.” The author argues that studying writing in times of crisis makes the phenomenological and autoethnographic foundations of writing visible because in crises rhetoric is unapologetically used to resist injustice and build resistance through “poetic realism,” which consists of fluid genre practices that can help capture the complexities of human experience.