Corruption Sings Loudest

Author:

Akinro Ngozi1,Nwachukwu Emmanuel O.2,Duru Adaobi V.3

Affiliation:

1. Texas Wesleyan University, USA

2. Winthrop University, USA

3. University of Louisiana at Monroe, USA

Abstract

In this chapter, the authors used framing analysis to examine the dynamics of music, social media, and politics. Based on framing and impression management theories, this study considers music as a tool to convey political messages and argues that political parties use music to spread positive narratives of their accomplishments to promote themselves and their flag-bearers while using negative narratives to vilify and attempt to delegitimize their opponents. The authors examined the lyrics of two songs, “Change Blues” and “The Truth Blues,” both viral political satires by opposing political parties, and discussed the songs' strong emphasis on corruption in Nigeria and ways in which the political parties attempted to use the songs to encourage political participation and for their image management.

Publisher

IGI Global

Reference53 articles.

1. Adedeji, W. (2014). Negotiating globalization through hybridization: Hip hop, language use and the creation of cross-over culture in Nigerian popular music. Language in India, 14(6).

2. Agwaziam, N. (2014). Occupy Nigeria protest: Analyzing change frames on social network sites. Paper submitted to the 2014 Global Fusion Conference, Austin, TX.

3. Akande, T. (2014, September 23). Youth unemployment in Nigeria: A situation analysis. Africa in Focus. Retrieved from https://www.brookings.edu/ blog/africa-in- focus/2014/09/ 23/youth-unemployment-in- nigeria-a-situation-analysis/

4. Framing conflicts in Africa: A comparative analysis of United States and United Kingdom news outlets.;O. P.Amienyi;International Communication Research Journal,2013

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