The Intersection of Digital Humanities and Artistic Augmented/Virtual Reality Research in Hong Kong

Abstract

Immersive media such as augmented reality/virtual reality (AR/VR) environments are growing in popularity both globally and in Hong Kong. In the artistic research sector, these projects may or may not have systematic digital preservation, data curation, or other digital stewardship components built into the creative process. Although digital multimedia preservation has been a long-standing topic of discussion for archivists, the complexity of immersive media projects raises questions regarding best practices and ensuring future accessibility. The author proposes that artistic AR/VR research in Hong Kong could benefit from the application of digital humanities practices, whether it be for archival, research, or further artistic purposes. This chapter reviews case studies in Hong Kong academic institutions to identify existing needs and makes recommendations for incorporating digital humanities practices into the creative and project management processes.