Rap Music in Turkey

Author:

Buhari-Gulmez Didem1

Affiliation:

1. Istanbul Kemerburgaz University – Altınbaş, Turkey

Abstract

Benefiting from the theoretical debate between grobalization and glocalization, this chapter aims to shed light on the emerging role of rap music as an alternative venue for political communication in a polarized country, Turkey. The chapter will discuss the political contributions of the selected underground Turkish rappers – Norm Ender, Sagopa Kajmer and Rapzan Belagat – on the public debate in the country about identity, human rights, and other socio-political issues that go beyond the traditional “Kemalist versus Kurdish”, “Kemalist versus Islamist”, and “Islamist versus Kurdish” divide. This study suggests that the Turkish rap and its varieties reflect a complex set of interactions between the local and the global in line with the glocalization approach.

Publisher

IGI Global

Reference44 articles.

1. EU, Political Islam and Polarization of Turkish Society

2. Amnesty International. (2006). Turkey: Article 301: How the Law on “Denigrating Turkishness” Is an Insult to Free Expression. Retrieved from https://www.amnesty.org/en/documents/eur44/003/2006/en/

3. Ayaz, E. (2014, December 15) Cumhurbaşkanı Erdoğan: Bitaraf olan Bertaraf olur [President Erdogan: Those who do not pick a side will be destroyed]. Doğan News Agency. Retrieved from http://www.dha.com.tr/cumhurbaskani-erdogan-bitaraf-olan-bertaraf-olur-3_825180.html

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