Interactive Technologies and Audiovisual Programming for the Performing Arts

Author:

Markaki Eirini1,Kokkalidis Ilias1

Affiliation:

1. Aristotle University of Thessaloniki, Greece

Abstract

While many scientific fields loosely rely on coarse depiction of findings and clues, other disciplines demand exact appreciation, consideration and acknowledgement for an accurate diagnosis of scientific data. But what happens if the examined data have a depth of focus and a degree of perplexity that is beyond our analyzed scope? Such is the case of performing arts, where humans demonstrate a surplus in creative potential, intermingled with computer supported technologies that provide the substrate for advanced programming for audiovisual effects. However, human metrics diverge from computer measurements, and therefore a space of convergence needs to be established analogous to the expressive capacity of musical inventiveness in terms of rhythm, spatial movement and dancing, advanced expression of emotion through harmony and beauty of the accompanying audiovisual form. In this chapter, the new era of audiovisual effects programming will be demonstrated that leverage massive participation and emotional reaction.

Publisher

IGI Global

Reference29 articles.

1. Music, Cognition, and Computerized Sound

2. Real Sound Synthesis for Interactive Applications

3. Cox, C. (2003). Versions, Dubs, and Remixes: Realism and Rightness in Aesthetic Interpretation. In Interpretation and its Objects. Rodopi.

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