Digital Restoration for Widespread Fruition of the Samnite Chamber Tombs

Author:

Rossi Adriana1

Affiliation:

1. Università Luigi Vanvitelli, Italy

Abstract

The aim of the chapter was to design a sensory experience that would enable contemporary users to appreciate artifacts that are remote in terms of time, space, and contemporary cultural sensibility. The chamber tombs, a glorious example of Samnite civilization (ninth through third century B.C.) offered a unique possibility to pursue this objective thanks to the peculiarities of the architectural paintings which paratactically decorate the chamber tomb walls. Rather than “freeze” the observers in a service space, the paintings seem to encourage them to explore the chamber and synaesthetically interact with the built environment. From a contemporary perspective, these pictorial dynamics epitomize the emerging paradigm of real and virtual space organization where the real and the virtual combine and guide users towards interactive fruition. The developments in range-based and image-based techniques have made the surveying procedures more rapid and the representations more attractive. Remote fruition has become more flexible thanks to the advent of information and communication technologies.

Publisher

IGI Global

Reference39 articles.

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2. Argan, G. C. (1987). Questioni per la riforma. In Memorabilia: il futuro della memoria: Vol. 1. Tutela e valorizzazione oggi, Ministero per i Beni Culturali e Ambientali. Roma-Bari, Italia: Laterza.

3. Arnehim, R. (1954). Art and Visual Perception: A Psychology of the Creative Eye. Berkeley, CA: University of California Press.

4. Barazzetti, L., Fangi, G., Remondino, F., & Scaioni, M. (2010). Automation in Multi-Image Spherical Photogrammetry. In Archaeology and Cultural Heritage. The 11th International Symposium on Virtual. Academic Press.

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