Author:
Cavalieri Chiara,Stas Michael,Rovira Torres Marcelo
Abstract
This article discusses digital geographies by tracing, mapping, and revealing a series of spaces bounded by a multiplex digital infrastructure. By proposing ‘descriptivism’ as a complementary approach to digital mapping, this work discloses the city of Antwerp as the intertwining of visible and invisible networks. The ‘Analogue City’ is the title of both a design workshop and of a collective act of mapping that progressively reveals the city of Antwerp as a set of different spaces of information flows. By engaging the notion of mapping as object and practice, this work describes the production of a multi-scale and multi-space representation, as a process of collective and performative cartography. Through the combination of different scales, spaces, and mapping techniques, the city of Antwerp is unfolded as the result of security, mobility, and social networks. As a mapping operation, the ‘Analogue City’ is a threefold object: (a) an interactive, intentionally large map; (b) a series of mapping interventions throughout the city; and ultimately (c) a temporary exhibition.
Reference46 articles.
1. Akerman, J. R., & Karrow Jr., R. W. (Eds.). (2007). Maps: Finding our place in the world. London and Chicago, IL: The University of Chicago Press.
2. Adams, J. S. (2001). The quantitative revolution in urban geography. Urban Geography, 22(6), 530–539.
3. Ash, J., Kitchin, R., & Leszczynski, A. (2018). Digital turn, digital geographies? Progress in Human Geography, 42(1), 25–43.
4. Barnes, T. J. (2004). Placing ideas: Genius loci, heterotopia and geography’s quantitative revolution. Progress in Human Geography, 28(5), 565–595.
5. Blum, A. (2012). Tubes: A journey to the center of the internet. New York, NY: Harper Collins.