Cross-Partitions as Harmony and Voice Leading in Twelve-Tone Music-Reference-Cited by-同舟云学术

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Cross-Partitions as Harmony and Voice Leading in Twelve-Tone Music

Published:2001-04 Issue:1 Volume:23 Page:1-40
ISSN:0195-6167
Container-title:Music Theory Spectrum
language:en
Short-container-title:Music Theory Spectrum

Author:

Alegant Brian

Publisher

Oxford University Press (OUP)

Subject

Music

Link

http://academic.oup.com/mts/article-pdf/23/1/1/3169426/23-1-1.pdf

Reference92 articles.

1. GENERAL WORKS

2. Alegant, Brian.1993. "The Seventy-seven Partitions of the Aggregate: Analytical and Theoretical Implications."Ph.D. dissertation, University of Rochester.

3. Three Essays on Milton Babbitt

4. Forte, Allen.1973. The Structure of Atonal Music. New Haven: Yale University Press.

Cited by 16 articles. 订阅此论文施引文献订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献

1. Elisabeth Lutyens and Edward Clark;MUSIC CONTEXT;2023-10-05

2. Partitions, their classes, and multicolour evenness;Journal of Mathematics and Music;2022-09-02

3. Your Teacher Cares if you Listen! Helping Students Analyze 12-Tone Compositions Without a Score;The Routledge Companion to Aural Skills Pedagogy;2021-02-25

4. The Perception of Frozen Intervals in Anton Webern’s Concerto for Nine Instruments, Op. 24, Third Movement;Music Theory Spectrum;2019-10-24

5. Transformation Chains, Associative Areas, and a Principle of Form for Anton Webern’s Twelve-tone Music;Music Theory Spectrum;2019

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