1. Aaron Copland in Latin America: Music and Cultural Politics, by Carol A. Hess, reviewed by JOHN KOEGEL, 3:883–96
2. ADAMS, CHRISTY THOMAS, Staging the Cinematic: Puccini, Fanciulla, and Early Silent Film, 1:1–55
3. Aesthetic Wit(h)nessing in Anti-lynching Songs by Silvestre Revueltas and Carlos Chávez, by STEPHANIE N. STALLINGS, 2:463–501
4. American Religious Sounds Project, reviewed by BO KYUNG BLENDA IM, 2:543–55
5. Armida on the Beach: A Cinquecento Rhetorical Model of the Emotions and Its Musical Reception, by RUSSELL O’ROURKE, 3:587–644