1. Alonso-Minutti, Ana R., Eduardo Herrera, and Alejandro L. Madrid, eds., Experimentalisms in Practice: Music Perspectives from Latin America, reviewed by EDGARDO SALINAS, 2:410–16
2. André, Naomi, Black Opera: History, Power, Engagement, reviewed by JULIA J. CHYBOWSKI, 2:401–5
3. ANDRÉ, NAOMI, and DENISE VON GLAHN, Introduction, in Colloquy: Shadow Culture Narratives: Race, Gender, and American Music Historiography, 3:711–18
4. Animation, Plasticity, and Music in Italy, 1770–1830, by Ellen Lockhart, reviewed by DEIRDRE LOUGHRIDGE, 1:177–82
5. Atlanta's Ebenezer Choir Signifies at the Gone with the Wind Premiere, by MARVA GRIFFIN CARTER, in Colloquy: Shadow Culture Narratives: Race, Gender, and American Music Historiography, 3:748–54