Abstract
Abstract Quoting Truffaut's Jules and Jim, Améélie claims to be a new New Wave film. Instead, its calculated style returns to 1930s Poetic Realism and Under the Roofs of Paris. With spontaneity and complexity stripped from character and city alike, Améélie delivers merely a pleasurable fantasy of infantile satisfactions.
Publisher
University of California Press
Subject
Visual Arts and Performing Arts
Cited by
16 articles.
订阅此论文施引文献
订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献