Abstract
ABSTRACT Beginning with negative formulations found in many lyric poems, this essay argues that poetry in general skeptically distances the speaking voice from the authorial perspective, even in poems that have been taken to express direct personal feeling. German Romantic examples (Wilhelm Müüller's ““Der Neugierige”” as set by Franz Schubert, Goethe's ““Meeresstille,”” and Joseph von Eichendorff's ““Mittagsruh””) are featured, with the intent of suggesting a general account of the lyric voice.
Publisher
University of California Press
Subject
Sociology and Political Science,General Arts and Humanities,Cultural Studies,Gender Studies
Cited by
14 articles.
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1. Afterword;A Companion to the Global Renaissance;2021-04-19
2. Index;Modernist Empathy;2019-06-27
3. Bibliography;Modernist Empathy;2019-06-27
4. Notes;Modernist Empathy;2019-06-27
5. Performing Empathy?;Modernist Empathy;2019-06-27