Cries Unheard, Sights Unseen: Writing the Eighteenth-Century Metropolis
Abstract
A single, anonymous, compendious (and very strange) text from mid-eighteen-thcentury England is used to discuss historians' uses of literary evidence, and whether or not writing—from the past or from the historian's own time—can represent past reality.
Publisher
University of California Press
Subject
Sociology and Political Science,General Arts and Humanities,Cultural Studies,Gender Studies
Cited by
29 articles.
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1. Index;The Ballad-Singer in Georgian and Victorian London;2021-02-18
2. Bibliography;The Ballad-Singer in Georgian and Victorian London;2021-02-18
3. Conclusion;The Ballad-Singer in Georgian and Victorian London;2021-02-18
4. Interlude IV;The Ballad-Singer in Georgian and Victorian London;2021-02-18
5. Repertoire;The Ballad-Singer in Georgian and Victorian London;2021-02-18