Another Look at Female Choruses in Classical Athens

Author:

Budelmann F.1,Power T.2

Affiliation:

1. Magdalen College, University of Oxford felix.budelmann@classics.ox.ac.uk

2. Rutgers University tcpower@rci.rutgers.edu

Abstract

This article revisits the issue of female choruses in Classical Athens and aims to provide an alternative to the common pessimistic view that emphasizes the restriction of female choreia by the gender ideology of the democracy. We agree that Athens did not have the kind of female choral culture that is documented for Sparta or Argos, but a review of the evidence suggests that women did dance regularly both in the city itself and elsewhere in Attica, although not at the ideologically most marked occasions such as the City Dionysia. The latter part of the article turns from actual choruses to their representation in textual and iconographic sources. An important reason why modern scholarship sometimes underestimates the extent of female choreia in Athens, we suggest, is that Athenian sources are often purposefully elusive in their representation of female choruses.

Publisher

University of California Press

Subject

Classics

Reference124 articles.

1. Allan, W. 2001. Euripides: Children of Heracles. Warminster.

2. Arnott, W. G. 1979. Menander: Volume 1. Cambridge, Mass.

3. Ashmole, B. 1946. “Kalligeneia and Hieros Arotos.”JHS66: 8–10.

4. Athanassaki, L., and E. Bowie, eds. 2011. Archaic and Classical Choral Song: Performance, Politics and Dissemination. Berlin.

5. Baltieri, N. 2011. “Il ruolo dei canti di nozze nei drammi di Euripide.”Prometheus37: 205–30.

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