It's a Leap of Faith, Writing a Song

Author:

Carless David

Abstract

In this article I offer stories and reflections around my experiences of writing songs as a way of doing arts-based and performative research. In particular, I explore how we, as an academic community, respond to each other's critical, reflexive work. I write to stimulate reflection and discussion among readers about how best to—and how not to—respond to these forms of scholarship. I invite readers to consider the effects of their responses not only in terms of potential effects on the researchers themselves, but also on the survival and development of critical arts-based and performative methodologies.

Publisher

University of California Press

Subject

Linguistics and Language,Communication,Language and Linguistics

Reference11 articles.

1. David Carless, “Negotiating Sexuality and Masculinity in School Sport: An Autoethnography,” Sport, Education and Society 17, no. 5 (2012): 607–25; David Carless, Joel Ip, and Kitrina Douglas, “Ethics, Care and Truth in Education: A Pedagogical Narrative Inquiry,” in Educating the Young: The Ethics of Care, ed. Jeanne Adèle Kentel (New York: Peter Lang, 2011), 163–87; Kitrina Douglas and David Carless, “Sharing a Different Voice: Attending to Stories in Collaborative Writing,” Cultural Studies<=> Critical Methodologies 14, no. 4 (2014): 303–11.

2. Arthur W. Frank, Letting Stories Breathe: A Socio-narratology (Chicago: University of Chicago Press, 2010), 152 original emphasis.

3. Ibid.

4. David Gilbourne and Robyn Jones, “Further Thoughts on the Writing of Stories: A Response to Michael Gard and Ian Wellard,” Sport, Education and Society 19, no. 1 (2014): 107.

5. Tony E. Adams, “A Review of Narrative Ethics,” Qualitative Inquiry 14, no. 2 (2008): 175–94.

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