The Professione di Architetto in Renaissance Italy

Author:

Merrill Elizabeth1

Affiliation:

1. Max Planck Institute for the History of Science, Berlin

Abstract

The Professione di Architetto in Renaissance Italy shows how Renaissance Italian architects used the concept of the professione di architetto as a way to affirm and delineate the character of their occupation. Drawing inspiration from antiquarian models and taking advantage of the humanist ethos, these architects equated “profession” with manual and theoretical expertise, social authority, and the fulfillment of artistic, civic, and moral ideals. Elizabeth Merrill places the origins of architectural professionalism in early modern Italy—rather than in the nineteenth-century movements frequently cited by social historians—and describes the theoretical context for the architect's professional rise. Positioning themselves alongside university-educated professors, architects of Renaissance Italy crafted didactic treatises about their work and created academies for its instruction, foreshadowing a long history of architectural discourse that continues to this day.

Publisher

University of California Press

Subject

History,Visual Arts and Performing Arts,Architecture

Reference153 articles.

1. Definitive studies on the character of the Renaissance architect, and its ambiguities, include James S. Ackerman, "Architectural Practice in the Italian Renaissance," in Distance Points: Essays in Theory and Renaissance Art and Architecture (Cambridge, Mass.: MIT Press, 1991), 361-84

2. Mary Hollingsworth, "The Architect in Fifteenth-Century Florence," Art History 7 (1984), 385-410

3. Leopold Ettlinger, "The Emergence of the Italian Architect during the Fifteenth Century," in The Architect: Chapters in the History of the Profession, ed. Spiro Kostof (New York: Oxford University Press, 1977), 96-123

4. Catherine Wilkinson, "The New Professionalism in the Renaissance," in Kostof, The Architect, 124-60. See also Marvin Trachtenberg, Building-in-Time: From Giotto to Alberti and Modern Oblivion (New Haven, Conn.: Yale University Press, 2010), 106

5. Martin Kemp, "From 'Mimesis' to 'Fantasia': The Quattrocento Vocabulary of Creation, Inspiration and Genius in the Visual Arts," Viator 8 (1977), 359-60.

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