Domestic Modern: Redecorating Homes in Bombay in the 1930s

Author:

McGowan Abigail1

Affiliation:

1. University of Vermont

Abstract

In the 1930s, upper-class residents of Bombay were bombarded with ideas and products intended to make their homes modern. Showrooms, exhibitions, advertisements, and design books all addressed a consuming public newly interested in “the art and comfort of the home.” As Abigail McGowan demonstrates in Domestic Modern: Redecorating Homes in Bombay in the 1930s, attempts to remake Indian homes were hardly new; from the late nineteenth century on, sanitary reformers, girls’ educators, and urban planners introduced new principles of home management and hygiene into domestic space. In 1930s Bombay, attention shifted from household practices to style—a distinctively modern look expressed through new architectural spaces and the latest consumer goods. Recent scholarship has explored new building styles and practices in interwar India; McGowan argues that new kinds of furnishings and decor were equally important in defining what “the modern” meant in the city in this period.

Publisher

University of California Press

Subject

History,Visual Arts and Performing Arts,Architecture

Reference185 articles.

1. “While We Provide Art and Comfort to the Rich, Let Us Not Forget City's Slums,” Bombay Chronicle, 4 Nov. 1937, 8.

2. P. P. Kapadia, quoted in “The Ideal Home Exhibition,” Journal of the Indian Institute of Architects 4, no. 3 (Jan. 1938), 320.

3. Ibid., 319–20.

4. For a discussion of British critiques of Indian homes as failures, see Rosemary Marangoly George, “Homes in the Empire, Empires in the Home,” in Burning Down the House: Recycling Domesticity, ed. Rosemary Marangoly George (Boulder, Colo.: Westview Press, 1998), 61.

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1. Domestic environments, urban air and climate change;Contributions to Indian Sociology;2021-10

2. Nelly Sethna and the Reception of Textiles between the United States and India;The Journal of Modern Craft;2021-09-02

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