Abstract
Abstract
Bringing together the DVD reissue of Terrence Malick's Days of Heaven, Paul Haggis's In the Valley of Elah, and Joel and Ethan Coen's No Country for Old Men, this essay argues that the three films are indictments of the violent history of American militarism.
Publisher
University of California Press
Subject
Visual Arts and Performing Arts
Cited by
4 articles.
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