1. I thank Mary Francis, Suzanne Ryan, and Ken Wissoker for their kind input with parts of this article, as well as Robin James for attentive, insightful editing.
2. Dominic Boyer, James Faubion, Cymene Howe, and Marcel LaFlamme, "Sound + Vision: Experimenting with the Anthropological Research Article of the Future," Cultural Anthropology 31/4 (2016): 459-63. Boyer et al. describe the relative paucity of peer-reviewed journals that have experimented with "multimodal" publication formats. They offer the journal Vectors as one exception
3. I note also e-misférica and Sensate as others that have experimented with the integration of media in peer-reviewed scholarship. The Sounding Out! blog has been a major force for this kind of publishing in music studies, without peer-review but with a wealth of other features. On the history and value of Sounding Out!, see Aaron Trammell, Jennifer Lynn Stoever, and Liana Silva, "The Pleasure (Is) Principle: Sounding Out! and the Digitizing of Community," in Digital Sound Studies, ed. Mary Caton Lingold, Darren Mueller, and Whitney Trettien (Durham, NC: Duke University Press, 2018), 83−119.
4. Jacques Derrida, Of Grammatology (Baltimore, MD: Johns Hopkins University Press, 1998).
5. Frances Dyson, Sounding New Media: Immersion and Embodiment in the Arts and Culture (Berkeley, CA: University of California Press, 2009).