Affiliation:
1. University of Western Ontario, London, Canada
2. University of Ottawa Institute for Mental Health Research at The Royal, Ottawa, Canada
Abstract
The ability to perceive and produce a beat is believed to be universal in humans, but individual ability varies. The current study examined four factors that may influence beat perception and production capacity: 1) expertise: music or dance, 2) training style: percussive or nonpercussive, 3) stimulus modality: auditory or visual, and 4) movement type: finger-tap or whole-body bounce. Experiment 1 examined how expertise and training style influenced beat perception and production performance using an auditory beat perception task and a finger-tapping beat production task. Experiment 2 used a similar sample with an audiovisual variant of the beat perception task, and a standing knee-bend (bounce) beat production task to assess whole-body movement. The data showed that: 1) musicians were more accurate in a finger-tapping beat synchronization task compared to dancers and controls, 2) training style did not significantly influence beat perception and production, 3) visual beat information did not benefit any group, and 4) beat synchronization in a full-body movement task was comparable for musicians and dancers; both groups outperformed controls. The current study suggests that the type of task and measured response interacts with expertise, and that expertise effects may be masked by selection of nonoptimal response types.
Publisher
University of California Press
Reference74 articles.
1. Recognizing fencing attacks from auditory and visual information: A comparison between expert fencers and novices;Psychology of Sport and Exercise,2017
2. Audiovisual integration of stimulus transients;Vision Research,2008
3. Meaningful auditory information enhances perception of visual biological motion;Journal of Vision,2009
4. Rhythm synchronization performance and auditory working memory in early- and late-trained musicians;Experimental Brain Research,2010
5. An event-related potential (ERP) study of musical expectancy: Comparisons of musicians with non-musicians;Journal of Experimental Psychology: Human Perception and Performance,1995
Cited by
9 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献