Parry in Paris: Structuralism, Historical Linguistics, and the Oral Theory

Author:

Vet Théérèèse de1

Affiliation:

1. University of Arizona

Abstract

Abstract This paper investigates the origins of the Oral Theory as formulated by Milman Parry in Paris during the late 1920s by reexamining the scholarship on which it rests. Parry's Oral Theory compared the texts of oral performances in Yugoslavia with the Homeric texts in order to shed light on the presumed oral origins of the latter. His work integrated the work of the linguist and Indo-Europeanist Antoine Meillet, the linguist and scholar of oral poetics Matthias Murko, and the anthropologists Lucien Léévy-Bruhl and Marcel Jousse.

Publisher

University of California Press

Subject

Classics

Reference66 articles.

1. Annuaire de l'E'cole pratique des hautes etudes (Paris, France), Section des sciences historiques et philologiques, 1924-1925. Melun: Imprimerie Administrative.

2. Bauman, R. 1977. Verbal Art as Performance. Reprinted ed. 1984. Prospect Heights, Ill.

3. Bauman, R. 1986. Story, Performance, and Event: Contextual Studies of Oral Narrative.

4. Berard, Victor. 1967 [1924]. L'Odyssee: "Poesie Homerique." Tome I: Chants 1-VII. Paris.

5. Beye, Charles Rowan. 1990. "Milman Parry." In W. Briggs and W. M. Calder III, eds., Classical Scholarship: A Biographical Encyclopedia, 361-66. London.

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