Abstract
PurposeThe consumption of music performed in different languages represents a significant aspect of the contemporary cultural experience. This phenomenon questions how different languages mediate music consumption in specific national contexts. In this paper, the authors investigate the case of live music consumption in France.Design/methodology/approachThe authors surveyed 428 persons who saw 159 artists either performing in French or in English in 46 locations around Paris, France. The authors tested the effect of the language of the concert on three dimensions of music consumption: singing in unison, appraisal of the lyrics and dancing.FindingsMultilevel analysis revealed that English was positively associated with dancing, whereas French was positively associated with the appraisal of the lyrics. The authors found no evidence that the language of the concert was associated with differences in singing in unison.Originality/valueResults are discussed with respect to language diversity in the context of globalised popular music consumption.
Reference107 articles.
1. A cultural globalization of popular music? American, Dutch, French, and German popular music charts (1965 to 2006);American Behavioral Scientist,2011
2. Language practices and language ideologies in the popular music TV show the Voice Russia;Language and Communication,2017
3. Songs and emotions: are lyrics and melodies equal partners?;Psychology of Music,2006
4. Glocal linguistic flows: hip-hop culture(s), identities, and the politics of language education;Journal of Language, Identity and Education,2007