Merging research, conservation and community engagement

Author:

Borona Gloria,Ndiema Emmanuel

Abstract

Purpose – Archaeological, palaeontological and geological research has been conducted in Kenya for many years. These research efforts have resulted in exceptional depth of understanding of the region's cultural heritage including those with rock art. Unfortunately, very few of the research programmes have engaged communities as active participants in conservation and consumers of the research findings. The purpose of this paper is to report how collaboration between the National Museums of Kenya and the Trust of African Rock Art (TARA) is creating a link between research, conserving heritage and community engagement. Design/methodology/approach – An overview of two rock art tourism community projects undertaken by TARA will reveal that engaging communities and disseminating research findings does not only foster preservation of sites but is critical in transforming rock art sites into economic endeavours whose outcomes are providing alternative livelihoods. Findings – Community engagement remains the only viable way of ensuring long-term conservation of heritage sites going forward. Originality/value – TARA is the only organization conducting this kind of work in the African continent. This case study therefore, provides authentic information on local community involvement as a conservation strategy in the African context.

Publisher

Emerald

Subject

Urban Studies,General Business, Management and Accounting,Geography, Planning and Development,Conservation

Reference25 articles.

1. Blundell, G. (1996), “The politics of public rock art: a comparative critique of rock art sites open to the public in South Africa and the United States of America”, unpublished Master's dissertation, University of the Witwatersrand, Johannesburg.

2. Borona, G. and Nyasuna, W. (2009), Managing Community Projects: TARA and the Abasuba Community Peace Museum , TARA, Nairobi.

3. Chirukure, S. and Pwiti, G. (2008), “Community involvement in archaeology and cultural heritage management: an assessment from case studies in southern Africa and elsewhere”, Current Anthropology , Vol. 49 No. 3, pp. 467-485.

4. Coulson, D. and Campbell, A.C. (2001), African Rock Art: Paintings and Engravings on Stone , Harry N. Abrams Inc., New York, NY.

5. Cross Cultural Foundation of Uganda (2008), Culture in Development in Uganda: Experiences and Prospects , CCFU, Kampala.

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