NATIONAL AND PERSONAL TRAUMAS IN PAUL AUSTER’S MAN IN THE DARK

Author:

BOYLU Olena1ORCID

Affiliation:

1. EGE UNIVERSITY

Abstract

Paul Auster, one of the most distinguished contemporary American writers, creates a multi-layered narrative within his novel Man in the Dark. Published in 2008, this literary work addresses essential themes and concerns relating to American history as well as social and political agendas of the late twentieth and early twenty-first century. Precisely the events of September 11, which dramatically added a new dimension to the trauma studies, lie in the core of the Auster’s narrative. The author besides focusing on the effects of a traumatic experience on a human being, creates an alternative vision of history that pushes the reader to question the essence of existence. By merging countless narratives, both personal and national, the author initiates a journey of healing for his characters, ultimately guiding them toward recovery. Thus, one of the major focuses of this article will be to follow the evolution of traumatized personalities within the frames of current trauma studies. On the other hand, investigating the subtle bond between national and personal traumas will illuminate the reciprocal relationship between collective memory and individual experience, shedding light on the profound ways in which historical events can shape personal narratives. Hence the article seeks to disentangle the intricate connections between history, memory, and healing, offering a comprehensive exploration of Auster's contribution to the understanding of the human predicament.

Publisher

Gaziantep University Journal of Social Sciences

Reference13 articles.

1. Altındiş, H. (2022). I smell the Ellero river already: Trauma and exile in Roberto G. Fernández’s Holy Radishes! Humanitas – International Journal of Social Sciences, 10 (19), pp. 49-65.

2. Auster, P. (2008). Man in the dark. London: Faber and Faber Limited Bloomsbury House.

3. Boulter, J. (2011). Melancholy and the archive: Trauma, history and memory in the contemporary novel. New York: Continuum International Publishing Group.

4. Burns, C., & Auster, P. (2013). Off the page: Paul Auster. Interview with C. Burns. In J.M. Hutchisson (Ed.), Conversations with Paul Auster (pp. 125-131). Jackson: University Press of Mississippi.

5. Caruth, C. (1996). Experience: Trauma, narrative, and history. Baltimore: The Johns Hopkins UP.

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