Abstract
This study aims to examine the transformative power of literature in challenging prevailing social norms and reshaping perspectives on migration, alterity, and cultural marginalization. Focusing on the novels Once in a Promised Land by Layla Halaby, The Namesake by Jhumpa Lahiri, and Exit West by Mohsin Hamid, the analysis examines the representation of the individual Other, challenging stereotypes, and highlighting the characters’ personal and political traumas. The concept of nowhereness, which stands for the emotional and psychological state of migrants moving in unfamiliar cities, is explored, highlighting the paradoxical experience of simultaneous death and rebirth. The characters in these novels are in a deep state of emptiness, serving as “citizens in waiting and deportees in waiting.” Their experiences in the liminal space of waiting are closely intertwined, creating a shared temporal landscape that enriches the exploration of the complexity of migrants. In this regard, the authors challenge the conventional tactics of silencing voices and concealing images to transform the harrowing ordeals of the Other into a powerful means of social introspection. The authors engage with Western hegemony and imperialism, seeking to inspire understanding and admiration for subaltern cultures that are marginalized by the Western world.