Abstract
Abstract: Inspired by a blend of narrativity studies and cognitive narrative theory, and based on an updated conception of the epistemic plot, this paper sets out to investigate how fictional cognition propels narrative progression from the earliest compositional stages of Henry James's tales as documented in his notebook synopses. Placed in a wider context, moreover, and given James's conviction of the storyness of the representation of consciousness, this paper also invites debate on his role as a remote harbinger of the narrativity of the mind, so characteristic of contemporary cognitive approaches to the fictional genre.