Abstract
Abstract: This essay considers how a transnational feminist literary practice, one that proceeds through the modality of rereading and rewriting, opens up the meaning and possibilities for the right to self-determination, against and beyond the settler state sovereignty into which it has hardened. It examines the 1995 short story “My Elizabeth,” by the Arab American writer Diana Abu-Jaber, as an unexpected source of political theory, which rewrites self-determination from the perspective of occupied peoples—namely, Native peoples in the United States and Palestinians—subject to ongoing settler colonialism. Abu-Jaber’s portrait of intimacies between subjects “in transit” imagines how “radical futures past” become the source of alternate affective and political communities in the present.