Abstract
AbstractEmperor Maximilian I was intensely engaged with material relics of the ancient Roman and medieval German past. Maximilian’s historical imagination, creative and participatory rather than objective and distancing, guided his own monumental projects. This essay analyzes, among other episodes, the quest for the bones of the historical Siegfried in Worms and an apparently archeological drawing by Albrecht Dürer.
Publisher
Cambridge University Press (CUP)
Subject
Literature and Literary Theory,Visual Arts and Performing Arts,History
Reference148 articles.
1. Auer, Alfred. “Dichtung und Wahrheit, Harnische und Kostüme der Grabmalsfiguren. ” In Ruhm und Sinnlichkeit (1996), 140–44.
Cited by
22 articles.
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