Abstract
Abstract: In this article, I focus on intersections between colonial violence, aesthetics, and ecological crises as reflections of a crisis of the political imagination. I engage Namita Goswami’s Subjects That Matter and argue that the ways in which her text pursues forms of questioning racialized and gendered colonial violences provides a context for approaching variations of colonial violence collectively. By engaging Goswami’s text, I propose a postcolonial aesthetics as a way of rethinking our planetary bonds, aesthetically. I further argue that postcolonial aesthetics runs contrary to our contemporary political imagination, and that it makes the crisis of this imaginary apparent.