Abstract
Archival evidence of Shakespeare's and Kenneth MacMillan'sRomeo and Juliets evince patriarchal efforts to efface female rebellion. As Juliet, Lynn Seymour declassifies ballet through recalcitrant stillness and off-balance choreography. Patriarchal institutions enlisted Margot Fonteyn's classifying instinct to efface these balletic transgressions from the archive utilizing strategies corresponding to early modern textual editing practices.
Publisher
Cambridge University Press (CUP)
Subject
Visual Arts and Performing Arts
Reference63 articles.
1. Dancing the Score: Dance Notation and Différance
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3. Seymour Lynn . n.d. “Agent Provocateur.” Accessed August 4, 2016. http://www.kennethmacmillan.com/kenneth-macmillan/agent-provocateur.html.
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2 articles.
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