Crowded White Spaces: Dîner en Blanc and the Place-Based Contingencies of Choreography

Author:

Gerecke Alana

Abstract

This spatial and contextual approach to the performance of assembly takes Dîner en Blanc, an annual pop-up picnic, as a case study. Ethnographic and choreographic analyses of the 2018 picnic event in Vancouver, Canada, ground a critique of the dynamics of site specificity and host/guest relations that drive this local expression of a global event. Drawing on a range of performance and decolonial theorists, this place-based movement analysis of the event foregrounds the recolonizing implications of staging aesthetically whitewashed culinary choreographies on the unceded and traditional territories of the Squamish, Musqueam, and Tsleil-Waututh First Nations.

Publisher

Cambridge University Press (CUP)

Subject

Visual Arts and Performing Arts

Reference61 articles.

1. Notes Toward a Performative Theory of Assembly

2. Lachance, Lindsay . 2018. The Embodied Politics of Relational Indigenous Dramaturgies. PhD diss., University of British Columbia: Vancouver.

3. The Social Concierge. 2018. “Opinion: Dîner en Blanc Isn't Meant to Be ‘Cool.’” Vancouver Magazine, August 24, 2018. https://www.vanmag.com/city/events/opinion-diner-en-blanc-isnt-meant-to-be-cool/.

4. Le Dîner en Blanc: Vancouver. 2022. “Register.” Accessed February 16, 2022. https://register.dinerenblanc.com/vancouver/en/register.

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