Abstract
‘Dramaturgy’ is one of those vogue words to which frequent use lends the appearance of being increasingly well understood, whereas the wear and tear to which it is subjected actually makes it ever harder to understand. When a word has lost almost all meaning through overuse, the simplest way to make it usable again is, of course, to try to restore its original meaning. It should be possible to agree that dramaturgy is the composition of dramas tout court, and there can be no serious objection if that basic definition is understood to include the theories and principles of dramatic composition (as Lessing did in his Hamburgische Dramaturgie). In that sense ‘dramaturgy’ is to drama what ‘poetics’ is to poetry: it denotes the essential nature of the categories that form the basis of a drama and can be reconstructed in a dramatic theory.
Publisher
Cambridge University Press (CUP)
Subject
Music,Visual Arts and Performing Arts
Cited by
32 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献
1. Notes on Le Grand Macabre and the Aesthetics of Camp;Studia Universitatis Babeş-Bolyai Musica;2024-07-30
2. Lyric Forms as “Performed” Speech in Das Rheingold and Die Walküre;Journal of Music Theory;2021-10-01
3. Index;Sound and Literature;2020-06-18
4. Bibliography;Sound and Literature;2020-06-18
5. Bob Dylan and Sound: A Tale of the Recording Era;Sound and Literature;2020-06-18