‘Poésie lyrique’ and ‘Chorégraphie’ at the Opéra in the July Monarchy

Abstract

Flanking the legend ‘Académie Nationale de Musique’ over the grand entrance to the Palais Garnier are the words ‘Chorégraphie’ on the left and ‘Poésie lyrique’ on the right, large enough to be legible from some distance. Ballet and opera were represented equally on the Académie's stage as well as on its façade: works of both kinds were created and performed in abundance there for much of the nineteenth century. Moreover, their interaction went beyond simply sharing the stage, and dated back to a time long before the Palais Garnier was built.