Abstract
AbstractThis article offers a new perspective on the relationship between manuscript production in Shiraz under the Timurids and in the Sultanate states of South Asia. During the so-called long fifteenth century, between Timur's invasion in 1398 and Humāyūn's return to India in 1555, there was a surge of creativity in the arts, despite the fractured political landscape of multiple courts. The resulting material culture is vibrant and diverse and belies prevalent historiography, which often portrays this period as culturally barren. The discussion will focus on an illustrated copy of the Shāhnāma of Firdausi dated 843/1440, currently in the Khuda Bakhsh Library in Patna, once owned by Muḥammad Shāh, Sultan of Gujarat. A study of this manuscript and its cultural context challenges the notion that ‘outmoded’ traits are the key criteria of a Persian manuscript's possible Sultanate origin. This article further aims to initiate a re-examination of the reception and dispersal of Persian manuscripts in the Indian Sultanates and the future lives of a particular group of manuscripts made in Shiraz.
Publisher
Cambridge University Press (CUP)
Subject
General Arts and Humanities,Cultural Studies