Italians Abroad: Verdi'sLa traviataand the 1906 Milan Exposition

Abstract

AbstractThis article examines the relationship between Milan's 1906 Exposition and a celebrated revival of Verdi'sLa traviata(1853). An event of national and international importance, the Exposition was notable for its focus on Italy's global presence, and in particular Italy's relationship with Latin America. TheTraviataproduction, meanwhile, comprised the first Italian staging of Verdi's opera in period costume, performed at La Scala by a quintessentially modern, celebrity ensemble to mark the Exposition's opening. This article explores the parallels between the Exposition and the production, to investigate the complex, shifting position of Milan (and Italy) within the transatlantic cultural and operatic networks of the time; and more broadly, to examine the role of operatic staging in shaping understandings of global space within the mobile operatic canon of the early twentieth century.