Abstract
The rich diversity of Martial's Epigrams makes up, in Duff's words, ‘one of the most extraordinary galleries of literary pictures, vignettes, miniatures, portraits, caricatures, sometimes almost thumbnail sketches' of the Classical Age. Yet the books are by no means merely random or haphazard assortments. Like other Roman poets, Martial was attentive to the need to impose a sense of order and continuity on his published material. Naturally the very number of poems, as well as their varied inspiration and often impromptu composition, would militate against any overall thematic coherence. Moreover, Martial was also keen to exploit the inherent variety of the epigrammatic genre; thus, in the preface to Book 8, he says that he has interspersed more trivial and jocular material among his panegyrics of the emperor to prevent continuous eulogies from becoming tiresome to their recipient.
Publisher
Cambridge University Press (CUP)
Subject
Literature and Literary Theory,Classics
Reference30 articles.
1. Erotion: a Note on Martial;Lloyd;GandR,1953
2. Passer Catulli: The Evidence of Martial
3. Domitian und Martial;Szelest;Eos,1974
Cited by
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