1. Canyonlights world art image bank, accessed 10 May 2014, http://www.canyonlights.com/themanchestermet.html
2. ‘Photo Archives and the Photographic Memory of Art History’, New York University, Institute of Fine Arts, accessed 3 May 2014, www.nyu.edu/gsas/dept/fineart/events/photoarchives.htm. Costanza Caraffa, email message to author, 20 Aug. 2013. Caraffa, director of the Photothek des Kunsthistorischen Instituts in Florenz-Max-Planck-Institut, is a founder member of the Florence Declaration, makes it clear that the Declaration is available to be used in various contexts, ‘of course you can use the arguments of the Florence Declaration for slides and other forms of analogue photography – actually one could change a few words and adapt the Florence Declaration to manuscripts, archival documents, etc etc.’
3. VRA-L Archives, accessed 10 Feb. 2014, http://hstserv.uark.edu/cgi-bin/wa?Al=indl312&L=VRA-L. To read all relevant posts on this subject search the VRA-L archives in December 2013 for the following message threads VRA and the Florence Declaration (1 message), VRA and the Florence Declaration (lengthy message) (5 messages), VRA and the Florence Declaration and the historiography of Slide Collections (3 messages).
4. Visual Arts Data Service, accessed 10 May 2014, http://www.vads.ac.uk/learning/dcsc/slide.html
5. Greenan Althea . Research Degree proposal document “Slide walks: understanding the Women’s Art Library slide collection as a site of evolving feminist discourse and innovative digital development” (work in progress), accessed 10 Feb. 2014, http://arts.brighton.ac.uk/research/doctoral-centre-arts/student/althea-greenan