Tracking art historians: on information needs and information-seeking behaviour

Abstract

The information-gathering activities of art historians have been studied from three different perspectives: in terms of the books they use; through their own accounts of their working processes; and by informal, systematic observation, written up as ‘user studies’, by art librarians. While observation implies objectivity, a distance between observer and observed, in practice art librarians are very much involved with the art historian in the work of art history and in the development of its methodologies.