Spontaneous organisation, pattern models, and music

Author:

VISELL YON

Abstract

Pattern theory provides a set of principles for constructing generative models of the information contained in natural signals, such as images or sound. Consequently, it also represents a useful language within which to develop generative systems of art. A pattern theory inspired framework and set of algorithms for interactive computer music composition are presented in the form of a self-organising hidden Markov model – a modular, graphical approach to the representation and spontaneous organisation of sound events in time and in parameter space. The result constitutes a system for composing stochastic music which incorporates creative and structural ideas such as uncertainty, variability, hierarchy and complexity, and which bears a strong relationship to realistic models of statistical physics or perceptual systems. The pattern theory approach to composition provides an elegant set of organisational principles for the production of sound by computer. Further, its machine learning underpinnings suggest many interesting applications to emergent tasks concerning the learning and creative modification of musical forms.

Publisher

Cambridge University Press (CUP)

Subject

Computer Science Applications,Music

Cited by 7 articles. 订阅此论文施引文献 订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献

1. Popular Song Composition Based on Deep Learning and Neural Network;Journal of Mathematics;2021-12-22

2. Affectively-Driven Algorithmic Composition (AAC);Emotion in Video Game Soundtracking;2018

3. Affective Calibration of Musical Feature Sets in an Emotionally Intelligent Music Composition System;ACM Transactions on Applied Perception;2017-07-31

4. Artificial Intelligence inOrganised Sound;Organised Sound;2015-03-05

5. Nonlinear Dynamics of Networks: Applications to Mathematical Music Theory;Communications in Computer and Information Science;2009

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